Face Music - about Artists - Sharkiat
  • Sharkiat feat. Fathy Salama - the off-beat from Cairo




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P & C December 1998
- Face Music / Albi

- last update 03-2016


more information: Sharkiat

- A group which devotes itself particularly to Arabian music beyond the borders of their own country Egypt. The group attaches special importance to working from the roots of that music. Yet do this in a way which is not antiquated at all. On the contrary: thanks to the use of additional contemporary modes of expression (by including guest musicians as well) and of a wide spectrum of sound a musical style is created which is more than just contemporary. This record is way up front with the interesting and varied productions which leave ample space to actual folk music. It nevertheless cannot be consumed like any impersonal popular music. It requires an active critical examination by listeners. Peter Dürsteler
- NZZ - Aug. 12, 1991 - Camel Dance
Between puristic ethno music and pop pepped up with folklore elements, there are only few convincing examples of an updated folk music. The Egyptian group Sharkiat presents an album entitled "Camel Dance" which is an impressive example of a continuing combination of folklore and pop. Starting from the musically rich local folk music tradition, various elements of Arabic styles are woven together and combined with western jazz runs and pop rhythms. The result is an atmospheric music which in comparison to the similar Algerian Rai is surprisingly varied and yet homogeneous, combining the expressive power of folklore with the catchiness of pop. Accordingly, apart from traditional instruments such as violin and Arabic lute, a sampling keyboard and a saxophone are used.
- Ethno or rock, folk or pop? - (Bündner Zeitung, Aug. 26, 1991)
The most impressive groups on Friday evening undoubtedly were "Sharkiat" and "Shikisha". They were announced as "The Beat from Cairo", featuring a conglomerate - according to the programme brochure - of "the roots of their native folk music" and "modern, dynamic pop". This mixture of North African sounds with funk, jazz and a rich groove proved to be a rather wholesome blend at the Stadtgarten. The Israeli Ofra Haza may be used as a comparison. "Sharkiat" is also on a similar tightrope walk between traditional and modern times. Kept in this balance, this does good to our ears which have been trained in the west. This music was for the belly and the legs and created a first highlight on Friday evening.

- latest CD: "FM 50006 - Camel Dance", "FM 50014 - Camel Road"

watch profile in:

Camel Road 1996

Concert live in Crakov 1991

- leader "Fathy Salama" born in Cairo on 13th February 1954, started making music very early in life. He was already playing the piano at the age of 6, starting by teaching himself classical Arab music. He has been working since 1980 as a full-time composer and arranger for well known singers within the Arab region and for the National Theater in Cairo, but has also taught jazz and improvisation in the United States with such well known musicians as Barry Harris, Pat Patrick (Sun Ra), Hal Galper, and Osman Kareem.

His experience with Arab and western music now forms the background for the roots which he has now developed further with Sharkiat. It was with Sharkiat that he first presented his compositions in 1989 and in 1991 found friends in Switzerland who produced his first CD, entitled "Camel Dance".
In 1994 Fathy founded his second group, and called it "Gouzour". It performs traditional Arab music with percussion, traditional instruments, and vocalists, and presents the Arab rhythms and melodies of the Sudanese and Nubians and from the Persian Gulf, as well as classical Arab music.
Fathy took his first bold step of presenting an international project when he appeared at the 1994 Berlin Jazz Festival together with Roman Bunka.

Sharkiat means: "Coming from the East".

It is with Sharkiat and Gouzour that Fathy is making his dreams come true of merging modern and traditional music together, thus expressing both a message from his home country and his love of music. His music reflects his experience from the Orient and from Europe. His "success" on the music market plays a secondary role; first and foremost he wants to be understood, and so he works tirelessly on this bridge linking traditional and modern music from the Orient.

Fathy has given guest performances at club concerts and festivals in such diverse countries as Japan, Spain, Italy, France, Austria, Belgium, Germany, Slovenia, Croatia, Poland, Estonia, and Switzerland.

Discography:

1991 - Camel Dance - Face Music Switzerland
1994 - Color me Cairo, with Roman Bunka - Enja Records
1996 - Camel Road - Face Music Switzerland.
1997 - Compilation - From the Desert to the Sea - Virgin France
1997 - Compilation - Vicino Oriente - Disco del Mese - La Repubblica
1998 - Compilation - Cairo to Casablanca - Putumaya USA
1998 - Maniacs & Sharkiat - Don't Climb the Pyramids - Barbarity

Review:
- published by NZZ - 1991

- published by ArtiLettereSpettacoli - 1992
- published by MFW Sounds - 1992
- published by Festival de Gampel - 1992
- published by Gazeta W Krakowie - 1993
- published by lichtung verlag 1993
- published by Jounal de Geneve - 1995
- published by l'Institut du Monde Arabe - Paris - 1995
- published by Jazz thing - bluerhytm - 1996
- published by Roots Town - 1996
- published by Journal de Genève - 1997

Sharkiat from Cairo "Moods Zurich" - "Fathy Salama" leader